Historical Series Review: The Pink Carnation 5-7

TemptationOfTheNightJasmine
The Secret History of the Pink Carnation, Volumes 5-7
by Lauren Willig
Dutton and NAL

Reviewed by Superwench83

The first four books in Lauren Willig’s Pink Carnation series introduced us to Napoleonic-era espionage, flower-named spies, and a host of charming and not-so-charming but unforgettable characters. And the adventures continue with a trek through India’s wilds, a Christmas pudding, and a cameo of Jane Austen herself.

The Temptation of the Night Jasmine, The Betrayal of the Blood Lily, and The Mischief of the Mistletoe are, like the rest of Willig’s historical romances, crazy fun reads. After seven novels, one might think the series concept of Napoleonic-era spies would get old, but no. One of the best things about these book is that each novel features a new hero and heroine, one or both of whom have appeared as minor characters in previous books—and these prior protagonists turn up again as side characters in later books. It’s like going to a class reunion or a rural county fair, meeting all these beloved or familiar faces in each new book. To tie it all together, each book (with one exception) is a new chapter in the life of Eloise Kelly, a present-day grad student who is researching all of these spy characters for her dissertation, and her adventures in finding a love of her own.

The Temptation of the Night Jasmine features Charlotte Lansdowne, the shy granddaughter of a ferocious cane-wielding dowager duchess with plans to marry Charlotte off to the highest bidder. Too bad for the duchess, but shy Charlotte isn’t very good man-bait, more interested in fanciful novels than dalliances on ballroom balconies. But when her distant cousin Robert, Duke of Dovedale, returns from India, Charlotte finds herself swept off her feet…and swept into the dangerous schemes of the notorious Hellfire Club, which Robert is bent on infiltrating. A favorite side character of mine ever since she appeared with Henrietta in The Masque of the Black Tulip, I was pleased to see Charlotte—and her dashing duke—get a novel of her own. Charlotte may be shy and quiet, but she has a strength built from years of enduring her harsh grandmother, and a sweetness all her own.BetrayalOfTheBloodLily

In The Betrayal of the Blood Lily, Charlotte’s friend Penelope Deveraux finds herself just where people kept telling her she’d end up—in disgrace and married hastily to a man who was much more charming before she had to marry him. Although nobody said anything about India! But when her husband is offered a position there, to India she must go…where she meets Alex Reid, a man nothing like her husband—and a man nothing like her husband is just what she wants but cannot have. As in her earlier novel The Seduction of the Crimson Rose, in this book Willig takes a character I wasn’t very fond of in earlier books and makes her compelling and sympathetic.

The Mischief of the Mistletoe is just so much fun! It may well occupy my second-favorite-in-the-series slot…which is funny, because I was one of the few Pink Carnation fans who was skeptical about a novel featuring the handsome but bumbling Turnip Fitzhugh. Throughout the series, Turnip has always cracked me up with his strange and unwittingly hilarious comments and manners of speech, but Turnip as a romantic hero? Well. Shows how much I know. In The Mischief of the Mistletoe, Turnip wouldn’t know love if he knocked it over and squashed its foot with a Christmas pudding, which is exactly what he does. And soon enough, he and schoolmistress Arabella Dempsey discover that Christmas puddings aren’t always as innocent as they seem, for this one is wrapped in muslin printed with a secret message. Poor Turnip, often mistaken as the famed Pink Carnation, has just bumbled his way into a bona-fide spy adventure! And Arabella discovers that Turnip, like Christmas puddings, is more than what he seems.

MischiefOfTheMistletoeThe Mischief of the Mistletoe is the only book thus far which doesn’t include snippets of grad student Eloise’s life in the present day. (I guess Eloise doesn’t know about Turnip’s Christmas pudding.) Though this book takes place out-of-sequence with the rest (before and during the first part of The Temptation of the Night Jasmine), I would like to have seen some Eloise chapters, anyway, as if she were discovering an out-of-sequence bit of info for her research. But with Jane Austen as a secondary character, who can complain? And I must admit that the Eloise chapters aren’t as exciting as they used to be. In early novels, where she and Colin were just getting to know and flirt with each other, there was so much more thrill. In The Temptation of the Night Jasmine and The Betrayal of the Blood Lily, the tension starts to slide in the Eloise chapters, and in the romantic tension’s place is Eloise’s weird theory and frantic nosiness about Colin’s job. It just doesn’t work for me. But I really like Eloise. I want her chapters to work!

The Temptation of the Night Jasmine and The Betrayal of the Blood Lily are in bookstores now, but The Mischief of the Mistletoe isn’t out until October 28. Although there are benefits to reading the books in order, it is by no means a necessity, so if one appeals to you more than the others, just dive right in. These are light-hearted, witty, and page-turning books, great for Regency history and Austen fans everywhere.

~*~

Tia here. Just a reminder that all commentors are automagically entered into my Amazon Review Drive Giveaway – Phase II! Details on sidebar!

Review: Shadow Fall


Shadow Fall
by Erin Kellison
Dorchester Publishing

MM Paperback

First book in the series was Shadow Bound, also reviewed by Superwench.

Deep in Twilight, in the forested realm where fey rule beneath the shadowed trees, a predator stalks the graceful mortal Annabella, hungry for her power. For Annabella’s talent with ballet is indeed magical, transcending the mortal realm until her dance calls Twilight near–and brings into her world both her wolf stalker and a man who appoints himself her guardian angel.

Custo Santovari was last seen in Erin Kellison’s Shadow Bound, where he passed through the Twilight Shadowlands to what lay beyond. Now he’s back in Shadow Fall, eager to continue his fight with the wraith, but more important, eager to banish Annabella’s stalker from the mortal world before Annabella, too, vanishes into Twilight–forever.

Since Shadow Bound didn’t give me enough of this very interesting Custo character, I was pleased to see him as the protagonist of Shadow Fall, and I wasn’t disappointed at that. Not only do Custo and Annabella have conflicts, but their conflicts feel real. So many times, I run across characters whose inner conflicts come across as staged, only present because that’s “the rule” for making complex characters. Not so here. These characters are realistic, a challenging task. And likeable, too, which still astonishes me, as urban fantasy so often disappoints on that front for me. No bitchy, kick-ass heroines or tough-guy jerks in sight. Custo and Annabella can hold their own without an attitude problem. This continues to be my favorite aspect of Kellison’s books.

Another thing I looked forward to in Shadow Fall was spending more time in Twilight, and her again I was pleased. The vehicle through which we get to Twilight in this book was such a perfect way to enter into the land’s macabre beauty. I have always been awed by ballet (perhaps because it’s a mystery to me how one can be so graceful, as I am the world’s clumsiest person). It’s so etheral almost, so strong and airy all at once, and its delicate grace is a perfect complement to the land of the fey. The concept of artistic mediums as a gateway to another world is another continuing aspect of this series that I love, and I’m really excited to see where that thread leads in later books.

As with Shadow Bound, I find it hard to find complaints about Shadow Fall. The one nitpicky detail that sticks out is that I didn’t think Custo’s own artistic talent (I won’t say what it is), which we learn about closer to the end of the book, was adequately set up. It seemed a bit sudden that he should have this interest and talent when it never appeared in his thoughts before. To reach that level of mastery, you must be consumed by it enough that not a day goes by when it doesn’t cross your mind. But that’s hardly any reason not to read this book. A nitpick, like I said.

With its ventures into the fey’s brooding and beautiful Twilight woods, the wolf stalking the lovely ballerina, and one man’s quest to save her, Shadow Fall reads like a New York fairy tale. As with its predecessor, Shadow Fall is part of Dorchester’s Guaranteed Read program, which means if you’re not satisfied, you can return it by September 27 for a full refund. But also like its predecessor, you may want to forget the refund and make room for it on your shelf. I know I have!

Reviewed by Superwench83.

Katie Lovett, better known around these parts as Superwench83, is an aspiring novelist and published short fiction author. She blogs about writing, books, and the fantasy genre at her website, www.katie-lovett.com.

Tia here. I wasn’t hooked until I read about the ballet. I just love when authors combine some art with magic. Now I’m thinking I need to read these.

Paranormal Review: Insatiable


Insatiable

by Meg Cabot
William Morrow

Hardcover

Insatiable by Meg Cabot is what I’d call paranormal chick lit. Who’d have thought such a thing would ever exist? But Insatiable’s protagonist, Meena Harper, is every inch the chick lit heroine. A designer purse-coveting dialogue writer for a soap opera with falling ratings who has issues with men and a certain female coworker, she is the typical chick lit protagonist but for one thing: she can shake your hand and know exactly how you’ll die.

Unless you’re a vampire, of course. Vampires are already dead. But vampires don’t exist…or so Meena thinks until her life is overrun by them.

Sick of vampires? So am I. Not that I don’t like vampires, just that they’re so overdone, and often feature bad-tempered heroines who I actually want the vampire to kill. But every once in a while, a vampire book or movie grabs me. Insatiable was one of these. (And not just because a free hardback came with admission to RWA Nationals.)

The light humor in Insatiable is what hooked me, thanks to an excerpt on the back cover. When Meena falls for a handsome vampire and lets him bite her, he finds that he, too, knows how people will die. Meena reminds him that he drank her blood. “You are what you eat, you know.” This sense of humor permeates Insatiable, putting a smile on your face or forcing a wry laugh every few pages. If you’ve never read Meg Cabot, you may still be familiar with her humorous style from movies based on her books (The Princess Diaries 1 and 2). This is what you’ll find in Insatiable–though, unlike The Princess Diaries, this is adult, not YA. Meena is a plucky, relatable character (minus her desire for $5000 purses—really, who spends that?!) with whom it’s easy to sympathize.

Regarding other characters, Alaric the vampire slayer was in my opinion the most interesting. Not that heartthrob vampire Lucien wasn’t interesting, but Alaric’s character arc is really great. He’s a bit close-minded, yet not too much so, as we see as the story unfolds. His changing perspective is, most importantly, realistic, due to the fact that it is slow and full of baby steps, so perfect given his strong character. I really did like Alaric more and more with every page. I guess I’m not as drawn to melancholy but still smiling men with soulful eyes who fix you breakfast and buy you stuff and are too, too perfect until you learn that they’re vampires as I am to egotistical, irreverent, impatient men who break down doors and don’t follow rules and are chided by their superiors for being too abrasive, yet who you can somehow grudgingly come to care for all the same. Personal tastes, I suppose.

Insatiable also has a couple neat takes on vampire lore, explaining why vampires have historically been unable to enter homes unless invited or appear in mirrors or on film.

Insatiable worked for me because it offered something different. A vampire novel, yes, but also a chick lit book. Two things I rarely read, blended into one, with a likable protagonist whose strange ability earned her the name You’re-Gonna-Die Girl in high school. That just sounds fun to me, and it was. It’s probably not for fans of the gritty, kick-ass vampires of urban fantasy, but it’s not all sparkly, romanticized Twilight-style vampires, either. If you’re looking for something in between, something just a shay different, Insatiable may work for you, too.

Reviewed by Katie Lovett

Katie Lovett, better known around these parts as Superwench83, is an aspiring novelist and published short fiction author. She blogs about writing, books, and the fantasy genre at her website, www.katie-lovett.com.

Debut Review: Shadow Bound


Shadow Bound

by Erin Kellison
Dorchester Publishing

Mass Market Paperback – 7.99

Imagine if your father was what the world fears most. Imagine if your father was Death.

Talia O’Brien doesn’t have to imagine in Erin Kellison’s Shadow Bound. Hunted by inhuman monsters all her life with no knowledge of why, regarded strangely for her unique combination of white-blone hair and jet-black eyes, and with the ability to manipulate shadows, Talia is alone in a world that doesn’t understand her–not that she understands herself. But she won’t be alone for long, because Adam Thorne is looking for her.

After reading Talia’s dissertation on near-death experiences, Adam believes Talia is the key to destroying the monstrous, soul-sucking wraith he keeps in the basement of Segue Institute–a monster who was once his brother. But when he discovers Talia’s strange talents and past, he believes she is much more–not just the key to destroying his brother, but putting an end to all wraithkind.

I’m having trouble finding criticisms for this book. I’m not a big fan of urban fantasy, but I really, really, really liked this one. First of all, it’s a breath of fresh air in a subgenre where vampires and werewolves rule. I know the fey are filtering into urban fantasy, but Shadow Bound still keeps it fresh, finding new twists and introducing characters who break the stereotypes for characters in urban fantasy books. If you’re getting tired of sassy, bad-ass urban fantasy heroines (the main reason I don’t read much urban fantasy), Shadow Bound is one to try. Talia isn’t the norm, and I love her for it.

But having unique twists, characters, and concepts isn’t enough. A novel like this need suspense, and Shadow Bound is indeed riveting. The author knows just how to push the characters into the impossible, then pull a miracle out of thin air and make it completely believable. There were several times where I thought, “Oh, they’re never going to get out of this,” and then to my complete surprise, they made it out alive. This wonderful ability to keep suspense high and tension boiling is what truly makes this book such a success.

If you’re turned off by racy scenes, let me go ahead and warn you that one of these appears very early in the book. But–and I know this may sound strange–it’s such a beautiful scene, and it really sets up the entire story; I don’t see how the author could have written things any other way. So while I warn you that it’s there, I’m also recommending that you not let this deter you. This is a book well worth reading.

Shadow Bound‘s sequel, Shadow Fall is already on shelves, released only a month after its predecessor. Both books are part of Dorchester’s Guaranteed Read program, which means that if you don’t like Shadow Bound, if you return it by 8/29/10, you’ll get a full refund from the publisher. So if it sounds interesting, you still have a little bit of time to try it risk-free. (Wow, I sound like an info-mercial!) But even with this guarantee, plan on making room for this one on your shelf, because it’s a compelling read.

Myself, I’m looking forward to reading Shadow Fall, so plan on that review coming soon.

Reviewed by Superwench83.

Katie Lovett, better known around these parts as Superwench83, is an aspiring novelist and published short fiction author. She blogs about writing, books, and the fantasy genre at her website, www.katie-lovett.com.

Debut Review: The Alchemy of Murder


The Alchemy of Murder
by Carol McCleary
Forge Books
Hardcover – 24.99 (discounts available)

Reviewed by Superwench83.

The Alchemy of Murder by Carol McCleary is one of those high-concept ideas that made me say, “Okay, I have got to read this.” It teams the first woman reporter Nellie Bly of the New York World with the famous French author Jules Verne as they track a mad scientist who is murdering street women in Paris. With legendary microbe hunter Louis Pasteur and the flamboyant Oscar Wilde at their sides, Nellie and Jules work their way through seamy Parisian streets, hospitals, and laboratories in search of the killer Nellie met in New York years before.

Nellie Bly is a perfect protagonist for a story such as this. She may have more enthusiasm than common sense, but she is spirited and strong, a reporter devoted entirely to getting her story. You just can’t help but root for her. A woman who purposefully has herself committed to a notorious insane asylum for the sake of an expose is a character who is sure to keep you guessing page after page. There is just enough character development to keep you invested in the characters, but not enough to bog down the fast-moving plot. It’s a delicate balance, and I think the author handled it quite well.

The setting is also vividly drawn, in all its grittiness. The Alchemy of Murder is set in a time and place which simmers with turmoil and rage. There are people starving and dying on the streets, and the muddled, floundering government has trouble doing anything effective. It’s a breeding ground for discontent, and communist revolutionaries abound—some whose plans go no further than philosophical café conversations, and some who will murder and steal and scheme to bring about their new regime. Combine this already turbulent era with the World’s Fair in Paris, toss in a crazed scientist and a biological weapon, and you’ve got a page turner in classic thriller style.

The only major issue I had with this book was the abundance of typos, misspellings, and improper punctuation…which I know is a silly thing to be upset about, but they were so numerous as to be distracting. It’s actually a trend I’ve noticed in new releases quite a lot these days. It makes me wonder if publishers are cutting back on copyediting to save money in these unstable economic times. It’s only speculation, of course, but I do wonder. The Alchemy of Murder is far from the only new release I’ve read recently with such problems; it was just the final straw, the one which makes me say in a review, “Hey! What gives?” But I digress.

At any rate, The Alchemy of Murder is a thriller with a twist. It combines mystery, history, and science to bring to life beloved figures from the past as they work to stop a madman from causing more death. From the way things ended in this book, I can see more Nellie Bly mysteries to come, following her from one adventure to the next. An exciting read, and I’m sure any subsequent books will be just as satisfying.

Katie Lovett, better known around these parts as Superwench83, is an aspiring novelist and published short fiction author. She blogs about writing, books, and the fantasy genre at her website, www.katie-lovett.com.


Review: The Alchemy of Stone


The Alchemy of Stone

by Ekaterina Sedia
Prime Books
Trade Paperback – $14.95

Reviewed by Superwench83

The Alchemy of Stone by Ekaterina Sedia introduces us to a world where the class lines are set in stone–in some cases literally. There are the Alchemists, whose draughts can heal and hurt; the Mechanics, whose engineering feats perform countless tasks and propel the city dwellers through the streets; and there are the gargoyles, who brought the city into being long ago and are in danger of becoming one with those buildings as their bodies become unmoving stone. The gargoyles believe that Mattie, an automaton and an Alchemist, can help them thrive once again. And there are others in the city’s shadows and hidden places who seek Mattie’s help as well.

As an automaton, Mattie had never belonged to a social class until she was freed and joined the Alchemists’ ranks. Unlike other automatons, Mattie can think and feel. Her maker, Loharri, has given her the ability to perceive both pleasure and pain, and he is often the cause of both. Imbued with such humanity but not part of that race, Mattie’s life is full of longing, of unfulfilled dreams, and of knowing she will never truly belong. Her one true aspiration is to win complete freedom from Lohari, who controls whether she lives or dies with the key to her clockwork heart. When a mysterious aquaintance of Loharri’s hires Mattie to mix her a potion, she sees this as an opportunity to take the key from Loharri and finally control her own destiny.

Ekaterina Sedia does a good job of making Mattie seem human, of displaying the many ways in which she is human despite her metal form. Mattie has all the emotions and desires of any other woman. She even has a woman’s sensibilities, show in one scene where she has to hold her skirts up to hurry after someone, and is self-conscious about the scandal of exposing her legs. A sympathetic and endearing character, Mattie experiences a range of emotions which many of the humans in her life seem to be without.

The Alchemy of Stone has a beautiful literary style and a plot full of intricacies. It’s an intriguing read, and it manages to make fresh the story of a robot who is human at heart. Reading scenes detailing Mattie’s scant romantic encounters with humans is a little strange, but these scenes further demonstrate how Mattie’s desires will never be in communion with her body of metal and porcelain and springs.

The Alchemy of Stone is a little…melancholy for my tastes, but a worthwhile read nonetheless, and I think a number of you would enjoy it. A well-written steampunk novel, this book will appeal to those who like a literary style in their genre fiction and who don’t mind endings which are bittersweet.

Review: Bewitched and Betrayed


Bewitched and Betrayed

by Lisa Shearin
Ace Books – $7.99

Reviewed by Superwench83.

Any novel that begins with the words, “I was being chased by a pissed-off naked guy with a knife,” is a hook for me. And in typical Lisa Shearin style, Bewitched and Betrayed continues to hook the reader beyond the first line, pulling you along cliffhanger after cliffhanger, barbs and gibes in ready supply.

If you haven’t yet fallen in love with Raine Benares and her weapon-laden, spellsinging companions, now is a fine time to pick up the first book and work your way up to Bewitched and Betrayed. You could read them out of order, I suppose, but I recommend starting from the top. Bewitched and Betrayed resolves a series-long subplot thread which you will be dying to learn the answer to. So unlike those of us who have devoured each book as it came out, you don’t have to wait for the resolution. Instant gratification!

As for those who have long anticipated this release, you won’t be disappointed.

In Bewitched and Betrayed, it’s business as usual for Raine–which means it’s not usual business at all. She’s fought goblins and dark mages and hordes of demons, but this time she’s fighting death itself, in its many and varied forms. It seems that her dead enemies don’t have the courtesy to stay that way, and the lives of people she loves–one of whom she’s finding out just how much she loves–are at risk. Meanwhile, Reapers have set their sights on Raine, who is a source of thousands of souls, thanks to her bond with the soul-sucking rock called the Saghred. But even these concerns must be set aside when a dear friend is falsely imprisoned and a high-ranking official is put on an evil mage’s to-kill list.

Not typical for most girls, but then again, Raine has never been average.

I always find it hard to discuss sequels and series without giving something away, yet without speaking in such general terms as to make my words completely useless. So for already-established fans, let me just say that you can expect more of the stuff you love about the Raine Benares books–sexy goblins and sexier (in my opinion!) elven Guardians, wry and witty humor from Raine, explosions, political intrigue…and pirates, of course. Oh, excuse me, not pirates. They’re “seafaring businessmen.”

Plot-driven adventures with characters so vivid you feel like you’re right there with them through every disaster. These books are like potato chips–you can’t stop eating them up. It’s a rare gift to craft a book as riveting as Bewitched and Betrayed. Lisa Shearin has written four of them. The adventure continues with Con and Conjure next spring, and I cannot wait!

Debut Review: Spellwright


Spellwright

by Blake Charlton
Tor Books
Hardcover – $24.99 (discounted at Amazon and elsewhere)

Reviewed by Superwench83

“Sticks and stones may break my bones, but words will never hurt me.” Not so in Blake Charlton’s world. In his novel Spellwright, not only can words break your bones, but they can chop off your limbs, stab your heart, and create all sorts of mayhem. Combined with a classic fantasy plot and a sympathetic hero, this high-concept idea becomes a story that is utterly fresh, while retaining that familiar fantasy genre feel.

Even if you read Spellwright for nothing else, the magic system alone makes this novel worth your time. This is a book for language lovers. A magic system based wholly on the written word. But not the written words as we know it. In Spellwright, magicians use their bodies to form their spells, forging letters from muscles and rolling them down the arm and off the hand. Different languages affect the world in different ways. One, for example, is a physical language. It can be used to create solid barriers, where the words act as densely-packed molecules to form physical objects. And with a magic system built around the written word, spellcasting requires proper spelling. It’s like HTML and other computer languages—one wrong letter can alter things enormously. Except that faulty HTML generally isn’t lethal.

In a world where magical power depends on a magician’s ability to spell, someone with a spelling problem is someone with a disability. Such people are called cacographers in Spellwright. And that’s one of the things I really found interesting about this book. It examines both the way our society views people with disabilities and the way they view themselves. Even more interesting is that Blake Charlton knows firsthand what his cacographer protagonist is feeling. Severely dyslexic himself, he spent his school years in learning disabled classes and struggled with reading until he discovered fantasy books. His personal understanding makes Spellwright a poignant look at the life of those with learning disabilities.

The protagonist Nicodemus Weal’s struggle is a sympathetic one, and the grace with which he handles it makes him endearing. The only real complaint I have with this book is that I wish the secondary characters had been as endearing as Nicodemus. I felt that they lacked the appeal which Nicodemus had because their conflicts weren’t as personal as his. While likeable, they didn’t inspire the same love as Nicodemus did.

Spellwright is a story with a prophecy, a magician, and a dragon. It also gives whole new meaning to such words as “ghostwriting” and “purple prose.” I loved being able to read a story with such a classic genre plot without feeling like I’d read this book a hundred times before. It’s like painting a beige room red—it’s the same room, but with a whole new look entirely. Spellwright is a wonder-filled and exciting read, and I’m very much looking forward to the next book.

Review: The Swordbearer by Glen Cook


The Swordbearer

by Glen Cook (Wiki)
Night Shade Books
Trade Paperback – $14.95

Genre: High Fantasy

Publisher’s Blurb:
A young man’s dreams of warfare and glory turn into a bitter nightmare when an invading army, led by the Dark Champion Nevenka Nieroda and his twelve Dead Captains, the Toal, besieges his father’s feudal fortress. Nieroda and the Toal demand the surrender of an ancient artifact long-believed to be a myth. With the walls breached and his family slaughtered–or worse–Gathrid flees into the wilderness beyond his familiar castle walls.

Lost and alone in the woods, hounded by the Dead Captains, Gathrid takes refuge in a vast cavern. There he discovers an ancient sword–Daubendiek, the Great Sword of Suchara, the fabled weapon once wielded by the legendary tragic hero of an ancient age, Tureck Aarant. Daubendiek, a restless and thirsty blade, promises Gathrid the ability to claim his vengeance. But as he begins to take that vengeance, Gathrid starts to understand the terrible price that the sword will exact of him. Enemies soon become allies and strange bedfellows abound as the prophesies of an age swirl into chaos.

Reviewed by Superwench83

Afflicted by polio at a young age, Gathrid has never been allowed to play the hero. While his brothers train with weapons and prepare for the glories their prowess will bring, Gathrid watches, and dreams of things that can never be. But when tragedy strikes, destiny calls…in the form of a sentient sword which makes Gathrid its Swordbearer.

Glen Cook’s novel The Swordbearer doesn’t break new ground. It features a magic sword, a dark lord, and a boy thirsty for adventure. But to be fair, these now-cliché elements weren’t so overused when The Sowrdbearer was first published in 1982. Though re-released just last year, this is an early novel from a very respected author known for his gritty high fantasy books. And anyhow, the familiar territory alone shouldn’t deter you. In the hands of a master storyteller, such a tale can be gripping no matter how many times you’ve seen those tropes.

However…

I’ve been a Glen Cook fan ever since my husband introduced me to his Black Company books. And I’ll admit to feeling a bit of déjà vu while reading The Swordbearer. Some of the concepts and twists have strong glimmerings of the Black Company books. Especially regarding the super-magical bad guys and their bickering. It was like meeting the Lady, the Limper, and Soulcatcher all over again. The characterization, though, was very different. The characters in the Black Company books were vivid. The ones in The Swordbearer were flat. Cook writes action and battle and adventure that make you breathless, but what does that matter when you’re not passionate about the characters? It’s mystifying because in his other novels, his characters are deep and living. I think he hadn’t really come into his own as an author yet when he wrote this one. The makings of a great author were there, but he hadn’t developed that skill with creating unforgettable characters yet.

But the signs of what a master storyteller Glen Cook would become are apparent in this novel. Yes, the characterization issues make the book forgettable in the end, but it’s hard to put down nonetheless. You’re in the moment as you read. The action and magic—some of which was explained inadequately, I admit—propel you through the book, compel you to keep reading. Gathrid, while not vivid, is still sympathetic, and you want to see him find a measure of peace.

Ultimately, I felt like this book had great potential, potential which is fulfilled in the Black Company books. (Though I wouldn’t mind seeing The Swordbearer rewritten with more attention to characterization.) If you want to read a Glen Cook novel for the first time, I’d definitely recommend The Black Company. But unless you’re already a Glen Cook fan who’s curious about his other works, I would leave The Swordbearer be.

Review: Tuck

Reviewed by Superwench83.

Blurb:

The story of Rhi Bran y Hud concludes as Abbot Hugo and the Norman invaders attempt to wipe out King Raven and his flock once and for all. Their merciless attack, the first of many to come, heralds a dark and desperate day for the realm of Elfael. Bran and his few stalwarts desperately need encouragement and reinforcement if they are to survive. Bran and Friar Tuck, a most unconventional priest, ride north to rally the tribes of Wales to the fight, making new friends, and even more powerful enemies along the way. . . .

A Welsh Robin Hood? It sounds so strange after all that talk of Nottingham. Yet this is where Stephen R. Lawhead places his King Raven Trilogy, and a number of historical facts point to this being a possibility.

Hood and Scarlet were worthy tales, but this review is not for them (though in the past I discussed them briefly on my blog). Tuck, the final book in the King Raven Trilogy, sees us to the end of Rhi Bran y Hud’s quest to win his kingdom and his crown, and even goes as far as to speculate how the legend came to Nottingham.

Stephen R. Lawhead is a master of poetic prose. He also knows how to write chapter endings that hook you into diving right into the next page. Unfortunately…there’s something missing in this book. I can’t say I disliked it; indeed there were moments I really loved. But all in all, despite a lot of great things going on, I felt apathetic through about half of the book.

I think it was mostly a matter of characterization. Tuck, who is the main character of Tuck (surprise!) doesn’t seem to have any personal stakes. I mean, yes, if Bran’s quest fails, Tuck’s life could well be forfeit. But Tuck doesn’t seem troubled by this fact. He doesn’t dwell on it in dread, doesn’t have to force himself to push the thought away, doesn’t seem to have any dreams that will be shattered if he fails. Nor does he seem overly concerned about the people under oppressive rule. Not that he doesn’t care, but there’s no passion. He just seems to float along with the breeze, rarely proactive.

Another complaint I have is about the dialogue in the argument scenes—especially among the antagonists. It’s petty, silly dialogue…which might work if this were a different kind of novel, one that pokes fun of the villains and paints them as bumbling fools. But this is a serious novel, and the villains pose a serious threat. Their “He said this!” and “He started that!” dialogue seemed quite out of place.

As I said, though, there were moments I really enjoyed. The time Bran spent disguising himself before a pompous noble, as well as his flight away from that errand, were both playful and intense. More than any other scenes in the books, these captured the spirit of Robin Hood legends best, and I wish there had been more like them. I was also happy to see one of the series’ many villains show a few signs of redemption. And the ending was satisfactory, for both the book and the series. Not what I had expected, but a fitting end.

The appeal of this book—of the trilogy, in fact—lies in its unusual placement of the Robin Hood legend in a land and time it has never seen…or at least not for a thousand years. It’s a neat historical spin. I really liked Scarlet, the previous novel in the series, and wish Tuck had captured more of that spirit. All in all, Tuck wasn’t a bad book, but neither was it as strong as I had hoped it would be.

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