Those Treasures in your Pocket

Certain hobbies don’t take a lot of time or effort. By far my oldest hobby is scrutinizing my pocket change for special coins. And this time of year—right about now—is the absolute best time of year to find old, special coins. Why? My theory is that coin stashes have been emptied nationwide to help fund Christmas. So January is the best time to find those recently-recirculated coins.

To start, empty your pockets and coin purses and throw them on a desk.

Pennies

You will notice you have two types of pennies. Nice, dark, coppery looking ones with a uniform color, and crummy, old-looking ones that are blotchy, pitted and icky. The old-looking, crummy ones are actually the newer coins. Toss them aside. They are no longer even made of copper anymore, which is why they look so yucky. I don’t even like handling them.

Of the nice coppery ones, turn them to the reverse. The wheat-back coins are definite keepers. The rest are a toss-up. With each year, as more and more copper coins are taken out of circulation, these coins are going be worth more and more. If you stumble across a penny that you have mistaken for a dime because it is silvery, definitely keep it. It is probably a steel penny that was manufactured during WWII.

In 2009, the Lincoln Penny took on a whole new meaning when four coins were minted with various likenesses of Lincoln. Marring this event was the crappy composition of the coin. If you can find some nice ones, be sure to preserve them in plastic.

Sample coins – click to enlarge

Nickels

During 2004 and 2005, a series of special coins were made you might want to collect yourself a set. They aren’t worth anything, but it is a good practice to keep a sample of any special edition coin.

Other than that, nickels aren’t very special. They’re made of … well, nickel, and aren’t very exciting.

Dimes

You might find a dime that is more silvery looking than the others. Check it out. If it is 1964 or earlier, immediately set it aside. It is 90% silver. Nowadays, they are actually copper coated in nickel. You will notice that real silver coins make a silvery ping when you bounce them on a table, or when they jingle with other coins. If you ever hear anything unusual in your change, scrutinize every coin.

If you find a dime with a woman on the front, not only should you set it aside, you should seal it in plastic. Liberty dimes were last minted during WWII.

Of additional interest are unclad dimes. These are dimes that look like pennies because they never got their nickel coating. Most of these have been stripped artificially, but if they are all coppery with no suspicious ring of silver around the ribbed edge of the dime, it may be an actual unclad dime.

Quarters

Quarters were also mostly silver before 1965. So check out any old quarter. The recent state quarters aren’t worth very much, but it might be worth the trouble to collect yourself a set.

Starting this year, another multiyear set is being issued, the America the Beautiful Quarters program. These quarters feature national parks. Coin sets for 2011 are still available at the Mint.

Of interest are bicentennial quarters. These were minted in 1976, and they have a drummer on the reverse. They are starting to get pretty special to find in your change. I immediately take any I find out of circulation and encase it in plastic.

Other coins

Going to the post office and using cash in the the stamp machine can yield you some dollar coins. The post office is the only place that regularly uses dollar coins. I don’t have any of the recent ones, only some older Sacajawea coins. The two current dollar coins are the presidential coin, and the Sacajawea coin. I also grab the Susan B. Anthony coins, but I think they have all been removed from circulation. During its last mint year, I got one encased in mylar from the Mint. They may be almost impossible to find nowadays.

Same goes for half-dollars. I have one of particular interest–a bicentennial half-dollar coin. It looks almost new, too. I’ve had it since Junior High. Other than that year, this coin has not changed in recent years, like other coins have. Also be on the lookout for pre-1965 silver half-dollars.

I have hundreds of coins, mostly because I grab anything that’s unusual to me, even current foreign coins. Thanks to a friend of my father, I have lots of European coins from WWII, including a french coin made of tin. I really need to grab a set of Euro coins, but they’re kind of expensive.

So, go empty those pockets and change purses. Find anything cool?

Back After New Year

So I guess this has been some kind of unannounced blog hiatus. You just need a break every now and then. What have I been doing? I spent about two weeks wasting my free time with Morrowind. I hung out. I worked on a story until I realized the plot line was marginal to the story at best.

But I do have several books to review and several authors have been in touch about guest reviews, so things should heat up in January. That is a good time for beginnings, I think. Or re-begins.

See ya then!

Recent Research — Irish Convents

First, a note. Posting here is going to continue to be sporatic until after the new year. You never know when I’ll post, but it will probably only be once a week or so. However, I am lining up guests for January, and hope to be in the swing of things with the start of 2012!

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Sometimes research leads you to abandon a promising plotline.

I was writing my Beauty and the Beast story and realized that the Beast’s aunt needed to be in the story. So I threw in an older middle-aged woman, and made her slightly cantankerous and bossy but with a heart of gold, and then I realized she was a dreadful stereotype. So I tried to think of a distinctly Irish-type character who was not a stereotype.

That’s when I thought about making her a nun.

Yeah, so among the Irish, having a nun for an aunt is kind of stereotypical. Even I have one. (Well, she was a great aunt.) But not all of us are Irish, are we? And my experience reading in fiction certainly does not include many nuns.

I wish Aunty Peg were still alive, because she would have been a girl during the time I am writing this story. She would remember what it was like. I know what nuns and convents were like when I was a girl; I very much had an Irish upbringing, despite being born in the United States.

I even stayed in a convent for a week when I was 11. We were in the midst of moving during the Christmas, and Sr. Gabriel was one of the only nuns who stayed behind that year during their annual trip back to Ireland. So we stayed with her in the mostly-empty convent. We ran around through the graveyard, played in the choir loft of the adjacent church, peeked into the convent chapel, and drank kettlefuls of tea. You can’t even imagine how fun it was.

This took place in the late 70s, after Vatican II, so the 20th century changes to convent life had already taken place. Reading the Vatican II summaries was interesting, but didn’t have what I needed. Since I didn’t have Aunt Peg, I interviewed my mom to find out if nuns back then were free to move about the community, which I needed in the story. And according to her, they always went about in twos, and were pretty restricted outside the convent. (Although within the convent was another story.)

So it looks like my nun character might not work out. I think I need to dig up some letters or diaries to be certain, or maybe find a nonfiction book. Or maybe I’ll just write her to keep the story going and make any adjustments later. She wouldn’t be the first character I’ve written and thrown away.

Most likely, I’ll morph that character again. She needs to come from a wealthy Irish background. Any ideas?

Recent Research – The Perils of Invisibility

My NaNo project was a fairy tale retelling of Beauty and the Beast. It started with a bang and I churned out 3500 words in a week. It was a solid start, but I decided to go ahead and finish my semifinal draft of Snow White, so I can hopefully submit both of them in quick succession. So technically, my first foray into NaNoWriMo was an abject failure. But I DID get a finished manuscript by the time November was finished which, for me, was the important thing.

Anyway, for my B&tB story, I have been researching the medical impacts of invisibility.

(If you ever wondered why certain people become writers, then the above sentence should give you all the answer you need. What other useful thing could I do with this imagination of mine?)

First, some background. In the original version of Beauty and the Beast, all the servants were turned invisible as part of the same curse that turned the Beast into a beast. Now, imagine the servants fifteen years later. Surely, there would have been adverse effects from prolonged invisibility.The biggest, I think, would be problems from lack of sunlight. If the sun passes right through you, then you probably don’t absorb much of it.

The biggest problem, I’ve found so far, would be a vitamin D deficiency. This would pose a terrible problem for children, as they would probably develop rickets, a horrifying condition in which the bones soften and twist. Legs become either severely bowlegged or knock-kneed. Ankles turn in. Spines twist. Elbows misshapen. Rickets can also affect adults as their bones soften and warp under the influence of gravity.

Other problems, I think, would include depression and arthritis. In my research stack is a notation to research cabin fever. I will also be tapping the knowledge of my nurse sister, my niece who is studying nursing, and fellow RWA members in the medical field.

I am also brushing off some old research on the history of blood transfusions. B&tB is turning out to be a sort of medical steampunk story, and once, long ago, when I wrote for the Bathroom Reader series (seriously!), I wrote about blood types. So I know all about the long and tragic history of how we discovered blood types and the complexities of Rh factors. Way back when, a blood transfusion was only for the desperate, because there was always a chance you would get the wrong blood type, and then you die.

The young lady at the left is my Aunt Matilda (or actually, my great, great Aunt Matilda), and she was a nurse during the time period in which I am setting this story. Maybe she had personal knowledge of these risky transfusions. Maybe not. But the picture is cool, anyway.

So imagine, if you will, being invisible for fifteen years. Can you think of any adverse affects that I have not thought of?

My Manuscript Clean-Up Process – In 10 Steps!

So I finished my Snow White story and it’s off to beta readers. While I was finishing it up, I took notes so I would write a blog post on my MS clean-up process.

First, back in the middle of October, I decided I was finished with the rough story. My first draft actually includes making about 3 passes through the manuscript. I tend to write a very bare-bones first draft, because the story is coming fast and furious, and I just want get it down. My actual first draft was about 15,000 words. When I finished in October, I had added about 10,000 words. It was at that point that I set it aside.

Why set it aside? Back in the spring, I took an online course by Angela James entitled Before You Hit Send (well worth the money). Part of what she stressed was giving your manuscript time to just sit. You cannot effectively edit unless you have a fresh viewpoint. And you get that by giving yourself a break from it, for at least 3 weeks. So I did. I worked on my time travel story, plus I wrote 3500 words of a Beauty and the Beast story. Then, I went back to Snow White, printed it out, wrote all over it, and did another draft or two. I ended up with a draft of about 33000 words, plus a discards file of 5000 words (my smallest ever!)

That was kind of a long preface to the meat of this blog, but over the weekend, I did my manuscript clean-up. Here’s what I do:

  1. Remove scene titles. I make heavy use of the Document Map in Word (now called the Navigation Pane), and I name all my scenes so I can just point and click the map to jump to a scene. When I clean my doc, these are deleted.
  2. Ensure scene break formatting is consistent. Usually I’ll use a hash (the old-fashioned way), but since I know CP uses *** scene breaks, that’s what I use for stories I intend to submit there first.
  3. Ensure chapter break formatting is consistent, and chapter numberings are correct. There is no right way, just pick a way and be consistent.
  4. Name chapters. I did this for The Sevenfold Spell, so I needed to do it here. Make sure the chapter names are not spoilery. They should “go with” the beginning of the chapter, not the end.
  5. Skim for unnecessary scenes. These are the scenes that don’t drive the plot forward. I found one scene during my final clean-up that had to go, thus swelling my discards file past 5000 words.
  6. Skim for pacing. Page through the story by scrolling it with your mouse wheel. If one scene requires notably more srolls than the others, take a closer look. Same goes for short scenes. You might even want to zoom way out on your MS so you can just take in the scene lengths without getting distracted by the words. (Set your zoom to 10% and you’ll see what I mean.)
  7. Check chapters endings and beginnings. Do the endings end on a cliffhanger without seeming gimmicky? Do they flow? Do the beginnings progress naturally from the ending, and if not, do you have a good reason for it? I had to change the order of two scenes because I didn’t want to get through the morning, and then go back in time to an earlier point and get through the morning again for my other character.
  8. Fuss over the whole thing, backwards and forwards. Review the todo list that is in your mind, and get’em done. Try to think of any last minute tweaks you need. Make sure the tweaks don’t change the story more than you intended.
  9. Go into Document Properties and fill out the author, title and any other information you desire, such as the series title.
  10. Send to your beta readers. Yes, you have to be prepared to again sit back and wait. Find some good readers–they are hard to find–and send them off, and give them a good long time before you expect anything back. I gave my readers till the middle of January. In the meantime, I get to work on my other stories. Yippie!

Also, while waiting for feedback (an eleventh step!), I read the whole story aloud. This helps more that you would believe. My husband listens to me (and makes suggestions), but even reading by myself clues me in to so many voice problems.

What will I do when I get the feedback back? Another draft, of course! But this one–unless the feedback was “major work is needed”–is the final one before I submit.

Raw! Unedited! Snippet Sunday – From Snow White Retelling

To celebrate sending my Snow White story to beta readers–which I plan to do before the night is over, I promise–here is a brief snippet.

Lars didn’t lust after his employer’s wife—not really. She was fifteen years older than he, and rather more matronly than he was yet ready for, with a double-chin, well-nursed bosoms and a large, round backside. But she did represent something very desirable to him.

He had never seen a woman shaped like her before. Men, he had seen aplenty—his own father, for one, plus other court dwarfs who regularly amused the royalty. They—most of them—had same thick torso, the same stumpy arms and legs, the same distinctive face.

But on the Frau … well, he tried not to think of what she looked like in the nude. Herr Dexter would thrash him for such thoughts. And so would that giant son of his.

He wondered what the other farmhands thought.

The four of them didn’t always work well together, but they knew better than to cause trouble. None of them wanted to be sent away. None really had anywhere to go, except back to whatever unpromising situation they had come from … except maybe Rudolph. Of the lot of them, Lars only really liked Gunther, who was also the oldest, except for Herr Dieter. Rudolph was pure trouble. Klause was quiet and sullen. Lars had only been among them for a handful of weeks. As the newcomer, he got the hardest work—plowing the field.

I hope you enjoyed it.

Which brings me to a request. I know there are a few German speakers who read this blog. I’d dearly love for a native German to proofread my incidental use of German. If you speak German and are interested, please email me at tia dot nevitt at gmail dot com, and I’ll send you a copy.

As I ran through this story one last time, I took notes on my process because I thought it might make an  interesting blog subject. I’ll post it later in the week. Plus, now that I’m done with this writing and editing marathon (it was more like NaNoEdMo for me), I think I’ll take a little break and breathe some life back into this blog.

That Sophomore Book

I don’t mean “sophomore” in this case as juvenile. I mean as the second book.

I’ve written more than 2 books. I have written three full-length novels, and since the first one was 230,000 words, you could even say I’ve written four. The Sevenfold Spell isn’t even among that number because it’s a novella. I was hoping to be able to produce two or three additional novellas in quick succession.

But dang. I got hit with the Sophomore Slump.

I started the Cinderella novella with high hopes. I had what I thought was a good premise. I started writing and I thought things were going well.

Then, I started second-guessing myself. You see, the Cinderella story is quite different from The Sevenfold Spell. I was hoping to go for some humor, but it didn’t work out that way. It has a virginal protagonist who remains that way throughout the story. I came up with an awesome villain.

But the plot … well, it kept failing my “why should the reader give a s**t?” test. The Cinderella story just doesn’t have all that much inherent conflict. Or rather, it’s conflict that the reader really doesn’t care about (with the stepsisters/stepmother) that is eventually culminated with a comeuppance, which really doesn’t resonate with me. And I think, as the author, I have to find it compelling in order to be able to do anything with it.

The part that gives me heartburn is I knew all this last August. I tried to carry on, to up the stakes, to infuse it with more conflict. I tried writing it in first person. I wrote a prequel that I really like. I set it aside for a while to polish up and submit my two novels (the first is a trunk novel). But every time I came back to it, I had less and less enthusiasm for the project.

But I didn’t want to give up on it. However, before long I realized that I wasted a year.

Finally, in July, I set it aside for good and started work on Snow White. It’s finished now; I’m just giving it a week to sit before I read it again before I send it off. I’ve even had some good plot improvement ideas in the meantime (which is why I let it sit). I also still need to read it aloud.

I didn’t have any of the problems I had with the Cinderella story. The more I wrote it, the more I liked it. Also, I’ve started my Beauty and the Beast story already, and I keep coming up with more ideas that I like for it. It may even be the best story of the three, which would be just fine with me if I can keep improving with each novel.

My difficult lesson? To listen to myself. When I know something isn’t working, I need to set it aside and work on something else. Because to set something aside doesn’t mean you give up on it forever. It only means that now is not its time.

Georgette Heyer and Regency Historicals

I have a new addiction–Georgette Heyer. Someone put up a post a while back about going back and rereading Cotillion every couple of years, so I finally downloaded it and read it. Yes, it is highly rereadable! I liked it so much that I downloaded The Nonesuch for 1.99 at B&N, and I’m halfway through it as well.

I feel quite certain that I read some Georgette Heyer as a teenager. But I didn’t pay much attention to author names back then, so they all blur into Victoria Holt and Barbara Cartland. So I have dozens of books to read! This is almost as good as when I first discovered Jane Austen!

What is it about the Regency period that is so entrancing? It’s definitely the culture; take a Regency novel out of England and you have quite a different flavor. Of course, the term “Regency” doesn’t apply much if it’s not in England, because that’s the country that had the Prince Regent in question. Curious that he never seems to show up in any Regency novels …

Has anyone ever read a novel–romance or otherwise–that takes place outside of England during the 1810s and 1820s? Like, say, New York? I would think such a novel would be rather grim. I remember reading a novel that took place in India–a rather torrid romance, as I recall.

But Georgette Heyer is quite clean. One kiss at the end, with no particular details.

If you’ve read Georgette Heyer, do you have any particular recommendations for me?

Guest Post – Cover Art and Symbols

Kimber An is an old blog buddy of mine–you’ve seen her here before! She writes YA fantasy and science fiction. Her Ophelia Dawson novels are a blend of both, like many urban fantasies. Except, since these take place in the wilds of Alaska, they are decidedly not urban. The first book is Sugar Rush, the second (a novella) is Crushed Sugar, and the third, newly released, is Sweet Bytes. Here, she writes about the symbols in cover art.

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Cover Art & Symbols

By Kimber An

Good morning!  My new book, Sweet Bytes, was released by Noble YA last week and I’ve been seeking out cover contests.  C.H. Scarlett did it and I was just stunned.  I’m still rather stunned!  Isn’t it gorgeous?  So, I thought I’d post about the cover symbols.

I was a blogging book reviewer before publication, like Tia, and I’ve seen, I don’t know, thousands of book covers maybe.  And I’ve read the woeful tales of authors who got stuck with cover art they hate.  It seems like every author gets at least one book cover they can’t stand.  A few get more than their fair share.  Only rarely does an author score great cover art every single release, it seems.  Lisa Shearin is one whom I think has been blessed by the cover art angels.  I’ve loved all of hers.

I’ve loved all of mine too!

My latest completely stunned me.  I think maybe it’s the bear and the ice coupled with the young woman obviously longing for her mate.  I think in pictures.  My stories create themselves in full color images like a movie on Blu-Ray.  But, they’re all jumbled together.  I have to work very hard to sort them out in a story.

Sorting out the images for a book cover is beyond me.  I’m baffled how an artist can take all these images and come up with such beauty.

Okay, so here’s the symbols on the Sweet Bytes cover.

First, you have the heroine, Ophelia Dawson, long red hair and in a gorgeous formal dress.  It’s her prom dress, in fact.  The skirt was long, but it ripped half way off while fleeing and fighting the baddies.

Second, you see her spotting a young man in the distance.  That’s Adrian, her soul-mate.  She believed he was dead.  Now, there he is, alive.  How will she react?

Third, you see the ice and snow glistening under an enormous full moon.  That symbolizes Alaska, my home state and where most of the series takes place.

Fourth, the bear is Shesh and she represents Alaska Native culture, which I’ve intertwined with the Scandinavian roots of Ophelia’s family.  Shesh also represents the strong maternal instinct to protect, wisdom, and the wildness of Alaska.

Finally, you see the ravens flying.  In Europe, the raven represents death, but in Alaska the raven is revered for its intelligence and ability to endure.  In the Ophelia Dawson stories, the raven represents the Benevolent Oldbloods, the good vampires.

I love symbols.  I guess because I’m such a visual thinker.  You can convey so much meaning in one image.  It’s powerful.

Thank you, Tia, for having me here today!

~*~

Sweet Bytes
by Kimber An

Ophelia’s escape from Martin, an Addicted Newblood, came at a terrible sacrifice.  Adrian, the boy she loves, is now infected and hunted like vermin.

As her new Protector, Tristan Li represents the Oldblood determination to destroy Adrian, along with all the Newbloods, addicted or not.

In her grief, Ophelia hates everything about Tristan, until his subtle strength empowers her to resist being turned into a vampire by the High Prefect.

As Tristan helps Ophelia harness her empathic ability, his need for redemption rings in her heart.  Her own strength grows, along with her passion for freedom.

The veil of mourning lifts.

The evil of Martin returns.

Ophelia seizes ownership of her destiny.